ABS 316
Code: ABS 316
Country: China
Style: Yuan Dynasty
Date: 1300 - 1400
Dimensions in cm WxHxD: 9.6 x 13.2 x 7
Materials: Gilt copper
Buddha Shakyamuni – The Historical Buddha
The Buddha is seated legs crossed in meditation on a double lotus pedestal, his transparent religious garment leaving his right shoulder uncovered. With his right extended hand, he touches the ground before him while his left rests on his lap in contemplation. This posture refers to the episode of his victory over Mara, god of Death and illusion when, by touching the ground he took the Earth as a witness of his spiritual realisation.
The Buddha is endowed with all the distinctive marks and signs of a “Great being:” short curly hair, a cranial protuberance (ushnisha), a curl of hair between the eyebrows (urna), elongated earlobes, and three marks on the throat, and so on. This Chinese statue, although respecting the usual iconographic canons, possesses proper stylistic features distinct from the Tibetan and Nepalese productions.
A Buddha is an “Enlightened One”, awakened to the true nature of existence. He has transcended is human condition and is “no longer a man, nor a god”. He has reached nirvana – “the extinction” of desire and karma – and he is free from samsara, the endless cycle of existence and suffering. A Buddha generally appears as a renunciant, devoid of ornaments.
The Buddha is seated legs crossed in meditation on a double lotus pedestal, his transparent religious garment leaving his right shoulder uncovered. With his right extended hand, he touches the ground before him while his left rests on his lap in contemplation. This posture refers to the episode of his victory over Mara, god of Death and illusion when, by touching the ground he took the Earth as a witness of his spiritual realisation.
The Buddha is endowed with all the distinctive marks and signs of a “Great being:” short curly hair, a cranial protuberance (ushnisha), a curl of hair between the eyebrows (urna), elongated earlobes, and three marks on the throat, and so on. This Chinese statue, although respecting the usual iconographic canons, possesses proper stylistic features distinct from the Tibetan and Nepalese productions.
A Buddha is an “Enlightened One”, awakened to the true nature of existence. He has transcended is human condition and is “no longer a man, nor a god”. He has reached nirvana – “the extinction” of desire and karma – and he is free from samsara, the endless cycle of existence and suffering. A Buddha generally appears as a renunciant, devoid of ornaments.