Tibetan manuscript illustrated with the Bon po deity Khyung gi ru tsön chen
  See it in the Museum
Aisle
Orientation 3
Wall object 5

ABM 030

 Code: ABM 030

  Country: Tibet (west)

  Style: Purang-Guge Kingdom

  Date: 1000 - 1100

  Dimensions in cm WxHxD: 11 x 15.3

  Materials: Distemper on paper

Tibetan manuscript illuminated with the Bon po deity Khyung gi ru mtshon can.

Bon is a religious tradition of Indian origin introduced in Tibet prior to the Buddhist religion. A later and different form of Bon developed in Tibet that has a monastic form with many similarities to Buddhism.

This painting depicts the Bon deity named Khyung gi ru mtshon can (kyung gi ru tsön chen) identified by the pole in his right uplifted hand with the effigy of a horned khyung affixed. The khyung represents a mythical bird which is identical with the Indian garuda.

Béguin, Gilles, 2013. Art sacré du Tibet – Collection Alain Bordier, [catalogue of the exhibition held at the Fondation Pierre Bergé – Yves Saint Laurent; 14 mars au 21 juillet 2013]. Paris: Fondation Pierre Bergé – Yves Saint Laurent. Editions Findakli. P. 59

Bock, Etienne; Falcombello, Jean-Marc; Jenny Magali, 2022. Trésors du Tibet. Sur les pas de Milarépa.. Paris: Flammarion. p. 115

Bowker, John und Golzio, Karl-Heinz (Hrsg.), 2003. Das Oxford-Lexikon der Weltreligionen. . Frankfurt am Main: Fischer-Taschenbuch-Verlag. p. 153-154

Cornu, Philippe , 2001. Dictionnaire Encyclopédique du Bouddhisme. Seuil.

Snellgrove, David, 1967. The nine ways of B’on. . London: Oxford University Press.

Snellgrove, David and Richardson, Hugh Edward , 2003. A cultural history of Tibet. . Bangkok: Orchid Press.